“Repression to Freedom” an interpretative window display by Rene Sepulveda a natural view of freedom New York Avenue, Alamogordo
Just in Time for Independence Day "Repression to Freedom" Roadrunner Emporium Fine Arts Gallery, Antiques and More, 928 New York Avenue, Alamogordo, New Mexico.
an Interpretative Art Installation by Coach & Artist Rene Sepulveda
In celebration of America’s freedom Artist Rene Sepulveda
presents “Repression to Freedom” an interpretative window display showcasing the natural beauty of the white sand’s region and a natural view of freedom.
The art installation is composed of all-natural elements of fallen tree stumps, recycled metals, and other earthly elements to create a natural desert scene of color and beauty.
The scene begins with a fallen barbed wire fence. The tree stump it is attached to is an actual original barbed wire fallen fence representing the struggle of confinement and the repression of the barbed wire. Within the installation the barbed wire manifests itself into a scorpion representing change in the forms of death and rebirth. The Scorpion indicates there are lessons of our past lives that die off. Note the scorpion is reaching to leave the scene whereas the bluebirds look down from their corner perch onto the desert scene as a symbol of hope, love, and renewal as a part of many Native American legends. They are complimented by the nest of wise desert owls within the turquoise cholla cactus representing the wisdom of the desert. Along the fallen woods nestling into the tree trunks is the colorful gecko representing self-protection and re-growth that humanity and nature goes through. The customary gecko circle symbolizes the natural cycle of life.
The dominance of the turquoise coloring, center to the exhibit represents strength, skill, or even invincibility of the natural elements of the desert.
Center to the exhibit is the manifestation of the Native American designed turquoise accented pot with the turquoise tree root. containing the hanging gourds of sand pouring endlessly into the white sands symbolic of our never-ending unity with nature and the natural elements of the desert.
Throughout the exhibit are Roadrunners. The Roadrunner is a sign of Epiphany, Illumination and that something in our life has been healed on the spiritual and physical levels. The Roadrunner is a sign to the completion of a phase, a transformation of goal in life. The several Roadrunners in the scene symbolizes how we move forward to new and greater horizons. That within the desert we move on with renewed hope.
The scene ends with large moss-covered tree trunk of copper coloring and hanging above it is a Zia with an eagle soaring through the outline of the Zia. The Zia sun symbol represents the four cardinal directions, the four seasons of the year, the four period of each day (morning, noon, evening, and night), and the four seasons of life (childhood, youth, middle age, and old age) paired with the soaring eagle. The eagle caps or completes the artist installation with its acute eyesight, the eagle has come to embody an all-seeing EYE. The eagle is the solar symbol linked to the Zia thus representing the sky gods. It signifies inspiration, release from bondage, victory, longevity, speed, pride; and is the emblem for release from the constraints of the bondage of the barbed wire at the beginning of the installation.
As our eyes pull away from the artistic beauty of the display we are left with a feeling of renewal and hope from the sands of the desert to the vast sky above us.